I came across the website of American Academy of Teachers of Singing and I found out that since 1922, the year of its founding, the academy has been actively writing and disseminating papers on all subjects pertaining to the teaching of singing. Their articles would be very helpful to already singers and those who want to have a career in singing.
I’d like to share what they have to recommend about auditions for the singer which may be very helpful to those hopeful aspirants.
APPLY FOR AN AUDITION ONLY WHEN READY
Generally speaking, no singers should either apply for or make auditions unless their own mature consideration and that of their teachers indicate that they are ready. Being ready means being adequately advanced vocally, musically, interpretatively, and artistically.
Singers should not allow themselves to be influenced by parents, friends or others who may encourage them to enter an audition before being fully prepared. Being heard too soon may be dangerous because many organizations keep records of their auditions. A poor rating and an unfavorable impression may jeopardize subsequent chances. On the other hand, singers who are prepared should not avoid auditions, because they will profit from the many values presented by such a test of their ability.
PREPARE THOROUGHLY FOR EVERY AUDITION
After deciding to enter an audition, singers should carefully study the demands in the special field to which the audition leads and prepare thoroughly in order to satisfy these demands in every detail. If application forms must be submitted, it is important to see that they are completed exactly as requested by the sponsor of the audition.
The material selected for performance should be suitable to the type of audition. Songs or arias should be thoroughly familiar to the singer and should have been sung previously, preferably in public. The material chosen should be well within the singer’s present abilities, and show the singer’s strengths. Whether one song or a full recital program is being offered, ALL MATERIAL MUST BE MEMORIZED. It is of utmost importance to have the assistance of an excellent accompanist; and to have sufficient rehearsal.
IMPORTANT ESSENTIALS TO BE OBSERVED BY SINGERS AT AUDITIONS
Keep in mind that singers are seen before being heard. Singers should therefore present a good appearance from the moment the audition begins until it finishes, i.e., good posture, poise, an alert, attentive, and self-conscious manner.
Singers should dress appropriately for the type of audition being made. They should be prompt, but not upset by a lack of promptness on the part of the judges, or by any other annoyances that may occur. It is well to be on hand about ten or fifteen minutes early.
Because singers are generally allowed to choose the first song or aria, this choice should have been made in advance. It should be adhered to unless there are very compelling reasons for a last minute change. An agent or manager could interfere or override the choice of material decided on by teacher and singer, and the singer must be prepared for this.
Singers should avoid making apologies for physical or vocal condition, for lack of rehearsal with the accompanist, or for any other reason, because judges are not sympathetic to excuses. If singers are unable to do themselves justice for any reason, they should state the fact, not sing, and ask for another appointment if that can be arranged.
Judges may sometimes be prejudiced or uninformed, but singers should keep in mind that future audiences, too, may not always be intelligent, receptive, or fair. After the audition singers should not worry about the result It is well to discuss the performance with the teacher in order to extract benefit from the audition, but otherwise, time is better spent in preparing for the next audition.